In lieu of any material goods, I thought I’d give my readers something that’s priceless in its own way: A glimpse into the mind of a modern feminist. And not just any feminist either, but victim extraordinaire Anita Sarkeesian. Here she is discussing the five “creepiest” Christmas songs, which I’ll describe here if you’re reluctant to add to the video’s view count.
Naturally, any list of creepy Christmas songs includes such songs as “Rudolph the Red-Nosed Reindeer,” whose titular character earns the supposed “love” of his peers by proving his worth, which is the result of a physical feature he’s had since birth rather than achieved.
I’m kidding, of course — perhaps any such list except for this one, which apparently defines “creepy” as “having an undertone that the female population would consider creepy, by virtue of their gender.” So, of course, there’s the likes of “Baby, it’s Cold Outside,” as well as “All I Want for Christmas is You,” in which the singer expresses no desire for any gifts other than a mate.
But wait. As Sarkeesian herself notes, that song can be performed by both men and women. So perhaps I was wrong, and she really is viewing this from the perspective of both genders…
…Never mind. Here’s her reasoning of why it’s still creepy when a man sings it:
[I]t’s not any less creepy when a man sings it because the lyrics could be interpreted as bordering on “Stalker Territory.”
Get that? When sung by a woman, this song is sexist against women, because it implies that a woman’s goal is first and foremost the acquisition of a significant other. When sung by a man, this song is sexist… against women, because it makes the man out to be the stalker, like so many men really are.
Such is the logic of the gender feminist mindset. Is it any wonder that they find it so difficult to consider that perhaps gender inequality is rooted in something more complex than some vast “Patriarchy,” and that double standards in society oppress men just as much as (if not more than) women?